According to Lincoln Center's new LCT3 project at its slogan, it takes "New Audiences for New Artists." It also takes new critics, hence the establishment of Theater Talk's New Theater Corps in 2005, a way for up-and-coming theater writers and eager new theatergoers to get exposure to the ever-growing theater scene in New York City. Writers for the New Theater Corps are given the opportunity to immerse themselves in the off-off and off-Broadway theater scene, learning and giving back high-quality reviews at the same time. Driven by a passion and love of the arts, the New Theater Corps aims to identify, support, and grow the arts community, one show and one person at a time.

Friday, November 18, 2005

Review: Waiting for Godot
by Matt Windman

Beckett's modern theater of metaphor continues to resonate into the twenty-first century.

Read full review:
Billed as a 50th anniversary revival, this intimate revival at St. Clement’s Church lacks the fanfare of Mike Nichol’s Lincoln Center production with Steve Martin and Robin Williams in 1988 or even the Classic Stage revival with Christopher Lloyd. The estate of Samuel Beckett, which is notorious for refusing to allow changes to the play’s text, cast of all males, or setting, would probably approve of newcomer Alan Hruska’s very straightforward, surface-oriented direction.

The humor of the play has been neglected, but the melancholy of the play is highlighted significantly through an outstanding ensemble cast led by Sam Coppola. On a bare stage with only the classic tree, complimented by a light sky cyclorama, Beckett's modern theater of metaphor continues to resonate into the twenty-first century.

At Theatre at St. Clement’s, 423 West 46th Street, 212-239-6200, $55. Fri 8pm, Sat 2:30 & 8pm, Sun 3pm.

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