According to Lincoln Center's new LCT3 project at its slogan, it takes "New Audiences for New Artists." It also takes new critics, hence the establishment of Theater Talk's New Theater Corps in 2005, a way for up-and-coming theater writers and eager new theatergoers to get exposure to the ever-growing theater scene in New York City. Writers for the New Theater Corps are given the opportunity to immerse themselves in the off-off and off-Broadway theater scene, learning and giving back high-quality reviews at the same time. Driven by a passion and love of the arts, the New Theater Corps aims to identify, support, and grow the arts community, one show and one person at a time.

Wednesday, August 27, 2008

Fringe/Tim Gunn's Podcast

Taking Project Runway’s dapper and avuncular mentor Tim Gunn’s podcast and turning it into a one-man chamber opera is certainly, in the Runway vernacular, "taking a risk," but Make It Work Productions makes it work with a production that captures all the drama of the sewing workroom in a fresh and unexpected way.

Photo/Larry Komarow

Review by Ilena George

For those unfamiliar with the premise of Project Runway, a quick synopsis: one of few reality shows where contestants do more than hook up and argue with each other, Runway pits fashion designers against each other through one-to-two day challenges ranging from “make a dress out of items you can find in a grocery store” to “make a high fashion outfit for an ice skater to compete in” to “make a dress inspired by New York City at night.”

This particular “podcast” focuses on the second episode of the third season, where the designers were challenged to create an evening dress for Miss USA winner Tara Connor to wear during the Miss Universe pageant. Think “red carpet, not pageant,” advises Gunn. In this episode, two of the season’s wackiest designers—Vincent and Angela—butt heads when they are paired together to complete a dress.

Another essential facet of Runway includes its judges’ colorful invectives and jubilant praise; Gunn’s podcast is no exception, with references to Judy Jetson’s birthday party, the Yule log, and a “homely bag of garbage.” While you need some familiarity with the third season’s characters to fully appreciate Podcast’s play-by-play of the contestants’ interactions, John Schenkel’s portrayal of Gunn is enjoyable to both fans and newcomers. Schenkel’s rich baritone and the expressiveness of the music’s phrasing conveys all the drama and horror of ruching-gone-wrong, partnerships made in Hell, and the importance of making your client happy. Steering away from parody, the production refrains from mimicking Gunn’s mannerisms, letting the words do most of the heavy lifting. Clever and engaging, Tim Gunn’s Podcast is far from one-note.

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Tim Gunn’s Podcast: A Reality Chamber Opera
Directed by Linda Lehr
Book and music by Jeffrey Lependorf
The Jazz Gallery (290 Hudson Street)
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