According to Lincoln Center's new LCT3 project at its slogan, it takes "New Audiences for New Artists." It also takes new critics, hence the establishment of Theater Talk's New Theater Corps in 2005, a way for up-and-coming theater writers and eager new theatergoers to get exposure to the ever-growing theater scene in New York City. Writers for the New Theater Corps are given the opportunity to immerse themselves in the off-off and off-Broadway theater scene, learning and giving back high-quality reviews at the same time. Driven by a passion and love of the arts, the New Theater Corps aims to identify, support, and grow the arts community, one show and one person at a time.
Tuesday, August 19, 2008
Reviewed by Aaron Riccio
With all the backhanded insults directed at the current administration, it's ironic that The Deciders, a satirical rock musical of Bush's plan to reinstate Saddam so as to stabilize Iraq and secure his legacy as a peacemaker, most deserves a backhanded compliment: this is pretty good for the Fringe. However, while Cindy Sheehan (Amber Carson) and Condi (Carla Euphrates Kelly) have terrific voices and Dubya (Erik Hogan) has the self-deprecating swagger down, the plot comes across more as a parody of an already existing parody, and, as if the winks to the audience about the "Fringe benefits" weren't bad enough, bogs down the actual message with a sub-story that features Saddam's desire to mount a musical called "Saddamn." The actual plot is tragic and familiar enough, and if Mitch Kess focuses more on songs like "Safer, Stronger" (in which Cheney feeds lines to a deceived and teary Condi) or the protest anthem "Free" and less on building Saddam up as a misunderstood Elvis ("Blues of Babylon"), this show could have some serious legs. (Getting better, less electronic instruments would help the music from being so lounge-y.) Note to the government, in re: The Deciders: there's your innovation.