According to Lincoln Center's new LCT3 project at its slogan, it takes "New Audiences for New Artists." It also takes new critics, hence the establishment of Theater Talk's New Theater Corps in 2005, a way for up-and-coming theater writers and eager new theatergoers to get exposure to the ever-growing theater scene in New York City. Writers for the New Theater Corps are given the opportunity to immerse themselves in the off-off and off-Broadway theater scene, learning and giving back high-quality reviews at the same time. Driven by a passion and love of the arts, the New Theater Corps aims to identify, support, and grow the arts community, one show and one person at a time.
Saturday, August 23, 2008
Fringe/The Gargoyle Garden
Reviewed by Aaron Riccio
It's hard to critique a children's musical--after all, I'm not the target audience--but I will say that Jeff LaGreca's latest work is the opposite of his a capella show, Minimum Wage. That works to his advantage, since kids are more likely to tune in for the killer plot than musicality, so my stovepipe hat comes off to The Gargoyle Garden. Crossing between Mary Poppins and Harry Potter, the show follows the eccentric Edgar Allen Densmore (Patrick Henney) as he tries to evade the evil Brother Keyes (John C. Taylor) long enough to befriend Annabel Lee (Emily Bordonaro); the easily digestible moral is that it's alright to be different. With the help of the chimney-sweeping narrator (talented Allan Gillespie) and a few friendly gargoyles (headlined by Brian DePetris), the show plays like a youthful Edward Scissorhands, and although at one point it practically steals the music to Sondheim's "You Are Not Alone," the show is sincere enough at heart that such similarities comes across more as homage than plagiarism.