Reviewed by Amy Freeman
A woman makes her way into a basement bathroom in a coffee shop somewhere in Manhattan. It's dark, and she fumbles for the light switch. When she finally gets the lights on, she finds herself in the most disgusting bathroom ever. The woman, Kiki, decides to give it a go, out of desperation. However, the grossness of the bathroom gets to her and she ultimately decides to take her chances somewhere else. Unfortunately, the lock on the door has somehow broken, trapping her inside. What follows is her inner monologue, which highlights her long list of insecurities—with her looks, her friends, her husband.
“Stuck!” is pretty funny at times (although, given the circumstances, it occasionally relies on bathroom humor). Kiki is a ridiculous character, a parody of a socialite, popping whatever pills she has in her bag, desperately calling 411 to come save her, except she doesn't know for sure where she is. Isn't that Homeland Security's job? The premise is a bit contrived—but, the performer/writer, Jennie Franks does make an innovative attempt to bring her play out of the world of desperate housewives and to actually examine the stereotypes, and for that she deserves applause.
According to Lincoln Center's new LCT3 project at its slogan, it takes "New Audiences for New Artists." It also takes new critics, hence the establishment of Theater Talk's New Theater Corps in 2005, a way for up-and-coming theater writers and eager new theatergoers to get exposure to the ever-growing theater scene in New York City. Writers for the New Theater Corps are given the opportunity to immerse themselves in the off-off and off-Broadway theater scene, learning and giving back high-quality reviews at the same time. Driven by a passion and love of the arts, the New Theater Corps aims to identify, support, and grow the arts community, one show and one person at a time.