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Reviewed by Kristyn R Smith
The Mammy Project attempts a difficult mission in its short hour-long running time. The goal- to cultivate a discussion of the stereotypes that have plagued African American people from the days of slavery, and thereby alter our perceptions - is not consistently effective. Reasons include the short-scene method used for covering such a vast time span, as well as the clown-y shock-value style acting. The solo performance by Michelle Matlock, who is also the writer/creator, has moments of poignancy. Her strengths, and in turn, the piece's strengths, derive from the historic creation of Aunt Jemima and the woman who was the first to bring this “larger than life” character to the world, Nancy Green. Character development here is minimal, as Matlock seems intent on portraying as many different people as she can, story notwithstanding. Even then, the speech excerpts from the likes of Booker T. Washington and Fredrick Douglas are intriguing. If only these dramatic vignettes weren’t interspersed - interrupted - by poorly executed mime, prat falls, obscenities, and sexual innuendo. One glance at the publicity poster below says it all.
I can appreciate the message that this work tries to get across. It is important to tear down walls built by stereotypes. Unfortunately, this mission derails through missteps inherent in the writer-performer relationship. For Michelle Matlock composing and starring in her own show is an excellent way to showcase her skills, but considering what she brings to the table, and the magnitude of her project, it's a challenge indeed to convince her audience of the seriousness of her mission.
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The Mammy Project is playing in repertory at
The American Theatre of Actors
314 West 54th Street
Now through February 10, 2007
Tickets are $18
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